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Media


Abdur Razzak Khalid Mahmood Mithu

Mustafa Monwar

Babita Shaon Sri Sirsendu Mukherjee
Anjuman Ara Begum Runa Laila Akhtarun Nahar Ivy
Nargis Akhter Novera Ahmed Sumita Devi
Fazlur Rahman Khan    


Abdur Razzak

(1942 - )

Romantic heartthrob of the 1960s, Abdur Razzak was born on 23rd January, 1942. in Kolkata, Bengal, (now in West Bengal, India). He migrated to erstwhile East Pakistan in early 1960s.

Razzak is still very much present in the film arena. Till 1990, Razzak played roles of the hero, often the romantic hero. He took a break for about five years. Then, quietly but firmly, he stepped back into the filmi world in 1996, as a character hero and a director with films like Abhijan and Shantan Jokhon Chakor to his name.

He still stars as the hero in some films, but not as the kind of hero most are acquainted with, that is, not as the lovey dovey sweetheart who sweeps his love off her feet! At a time when Bangladeshi films are at its nadir, Razzak tried to make films that are social, realistic and of good quality.

Razzak has made more than 300 appearances in Bangla and Urdu movies. He also directed around sixteen movies.

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Khalid Mahmood Mithu


Khalid Mahmood Mithu born in Dhaka on 1st January, 1960. In 1986 he did his Masters in Fine Arts from Institute of Fine Art, University of Dhaka.

Award (For TV Film)
2000 : Best TV Film Direction, on Liberation War “Aktture Ora”.

Awards (For Painting)
1997 : All Media Best Judges and Choice Award, Florida, USA.
1994 : 2nd Prize on Mixed Media, International Miniature Art
Competition, Montana,USA.

1991 : Excellence in All Entries Award International Miniature Art
Competition,USA.
1988 : Best Award on Experimental Painting, Institute of Fine Art,
University of Dhaka.
1981 : Class Best Prize on Water Colour, Institute of Fine Art,
University of Dhaka.
1981 : Class Best Prize on Water Colour, Institute of Fine
Art,University of Dhaka.

Award (for Photography)
1993 : 2nd Prize on Labor’s Day, Bangladesh Photographic Society,
Bangladesh.
1992 : 2 Special Awards, National Alliance Francaise Photographic
Contest, Dhaka.
1991 : 3 Awards, National Photographic Competition, Bangladesh.
1991 : 1st Prize, Lens View Photographic Association, New York, USA.
1990 : Indian International Photographic Medal, CPS International
Solon.
1990 : 2nd & Honorable Mention Award on Girl Child Photographic
Contest, Dhaka.
1989 : Fuji Color Award, National Photographic Contest, Bangladesh.
1998 : 2nd Award, Camera Recreation Club, Dhaka.
1988 : Honorable Mention, Annual Photo Contest, Bangladesh
Photographic Society.
1988 : Honorable Mention, Iftekhar Photo Contest, Dhaka.
1988 : Special Photographic Award, National Museum, Dhaka,
Bangladesh.
1988 : 2nd Prize, Camera Recreation Club, Dhaka.
1986 : Honorable Mention, National Photographing Contest,
Bangladesh.

TV Film Production (as a Script writer, Camera Director)
15 Documentary Films; 9 TV Dramas; 2 TV Serial Film & 45 Episode Drama; 300 hundred Song (Musical Program)
Exhibition
10 Solo Exhibition in Bangladesh & abroad.115 Group Exhibition, in USA, England, Canada, Australia, Netherlands, France, China, India, Japan, Slovenia, Germany, Bangladesh and Nepal.

Collection
Bangladesh National Museum, Foreign Ministry, State Guest House, Dhaka and Private Collections in home and abroad.

Present Position
- President, Tone Miniature Art Society of Bangladesh.
- Joint Secretary, National Artist Association of Bangladesh “Charu Shipi Sangsad”.
- Member of World Federation of Miniaturist.
- Member of Miniature Art Society of Florida, USA.
- Director of Chief Cameraman: Channel-I & Impress Tele Film Ltd. Arzo Chalochitro & Poroma Vision.
- Member of the Governing Body-Bangladesh Photography Institute.


Sultan, SM (1923-1994) a renowned painter. His real name was Sheikh Mohammad Sultan but he is more widely known as SM Sultan. He was born on 10 August 1923 at Masimdia, a village in Narail district. His father worked as a mason, and Sultan joined him after five years of schooling at the Victoria Collegiate School in Narail. Sultan also began to draw the buildings his father used to work on and thus developed a liking for art. Sultan knew that an art education was only possible in Calcutta, but family hardship stood in the way. It was then that the zamindar of the area, Dhirendranath Roy offered his help. With monetary support from the zamindar, Sultan went to Calcutta in 1938.


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Mustafa Monwar

Mustafa Monwar, known as the "puppet man", puts on shows using puppets made of wood, clay and cloth and also has a weekly children's television programme.
The literacy rate in Bangladesh is 65 percent and most people do not have access to television, books or newspapers, but Monwar said puppets can play a role in education, especially of children.

"I adapt the old village tradition of delivering social messages through puppet shows," like preventing AIDS, he said, adding that for generations puppets have been used as entertainment.
Monwar, 65, credits his father the late Golam Mustafa, a poet, for his interest in puppetry as he often invited troopes to perform at their home in remote Monohurpur village in the western Jhenidah district. But it was not until he was a student that he took it up seriously. "In 1958 when I was studying art in Calcutta, a puppet show came to town from Rajasthan and the quality of their sculpture and simplicity drove me to implement my childhood ideas."

During Bangladesh's 1971 war of independence from Pakistan, he travelled to refugee camps in India to boost the morale of people who had fled the conflict. Despite difficult times the puppets gave them joy as well as messages of patience and eventual victory, war veterans said.

The soft-spoken artist said it takes him about a month to make a puppet, including conceptualizing the character, at his studio in Dhaka. Monwar's fame has spread outside the country and he is the Bangladesh representative of the Denmark-based International Puppet Development Centre. He has received national and international awards, including one for graphic design in an All India Fine Arts competition in 1957. He received the Joinul Abedin Gold Medal for "his outstanding contribution to painting".

His weekly slot on state-run Bangladesh Television has been running since 1965 and is among the channel's most popular programmes. But he does not limit himself to puppetry, also making films and encouraging new talent. "Bangladesh has a very rich literary heritage and when I like a story I think of turning it into a film," he said. This "is sharing a good story with many others as reading habits are falling away every day," he added.
His teleplays include the Taming of the Shrew by William Shakespeare and Raktokorobi by Rabindranath Tagore. The noted Indian filmmaker Satyajit Ray lauded Monwar for his crafty use of stage design and the atmospheric aspect of his television productions.

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Babita


The big screen could not canvas all that she had to offer. She is, the internationally renowned, but our very own beauty queen of Bangladesh- one word, a legend, Babita.

She has starred in movies such as Shundori (and she was Beautiful), Golapi Ekhon Train’e (Flower in the Train), Ms. Lanka (with Pakistani heartthrob Faisal Khan), Fuleshori (Goddess of Flowers), Aushoni Shonket (Evil Signal) directed by Satyajit Rai, and many others.

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Shaon


Shaon, five-foot eight inch tall, is the youngest daughter of Nurul Islam Talukdar, a lawyer of the Supreme Court, and mother Jakera Islam. Apart from her studies she has a knack for traveling, dancing, swimming, music and handball.

She has a very good command of English. She wants to serve the distressed children and women of Bangladesh as a lawyer in future.
Currently, she works as a model for 'Elite 2001 Promotion and Event Management'. She has appeared as a model at a number of fashion shows at home and abroad including French Fashion Week, Dhaka, in 1997, Under the Auspice of UNESCO in the US and London Fashion Week in 1998, Artist Collection and Arang Bridal Collection in 2000 and Bridal Asia Fashion Show in Delhi.

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Sri Sirsendu Mukherjee


Sri Sirsendu Mukherjee, distinguished Bengali novelist and writer of short stories, detective stories and especially in teenage literature. He was born at Moymonsingha (now in Bangladesh) and graduated. In Bengali from Calcutta University.
After doing many odd jobs, he turned into journalism. He is now an Assistant Editor of Ananda Bazar Patrika. Sri Mukherjee has published several books.

Among these the notable books are Durbin, Manabzomin, Bandhan O Bisarjan, Monozder Adbhut Bari, Srestha Gojenda Galpa, Sera Bhuter Galpa. He was awarded several times and got many awards like the Ananda Puraskar, the Sahitya Akademi Award, the Vidyasagar Award etc.


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Anjuman Ara Begum


Anjuman Ara Begum was the lady with a golden voice. She rose to popularity around the 1960s. Whether it was radio, television or gramophone records being played in wayside restaurants, her fresh, melodious voice was audible far and wide.

She was the daughter of Dr Kasiruddin Talukder and Begum Ziaunnahar Talukder of Bogra. Anjuman Ara was born in a cultured family where almost all her family members were highly educated. She completed BA (Hons), MA from the Department of Sociology, Dhaka University while continuing her career as a professional singer.

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Runa Laila

Runa Laila is adored by millions and there has never been anyone quite like her. The immense pathos and longing in Runa`s voice was ideal for the tragic Pakistani movies of the 1960s.
Born to a middle class family on November 17, 1952, in the north Eastern city of Sylhet, Bangladesh, Runa was destined to be a singer.

The year 1958 proved to be a turning point in six year old Runa`s life. From that time on, she was a singer, appearing in a string of hugely popular songs.
Runa made her music debut in 1964 by recording songs for the Pakistani movie, `Jugnu` at the age of twelve. Recording song after hilarious song, she became one of the stalwarts of the Pakistani music scene within the next five years. Her next song catapulted Runa into instant fame and she became one of the Pakistani show business`s most cherished artists: `Unki nazroan say mohabbat ka jo paigham mila, dil ye samjha keh chalakta hua ik jaam mila` (The film `Hum Dono`, 1966, director, Al-Hamid, composer, Shaukat Ali Nashad, cast: Deeba, Kamal, Kumar, Nirala, Kamal Irani)

Highly skilled at tragic scores, she captivated the golden-era audiences, becoming a favorite in the film `Ghironda`: `Kaisa ghironda tuta, pyar nay hum ko luta, bairi hain duniya walay jaaon kahan`.

The film `Ghironda` established her national reputation and her popularity skyrocketed as one of the most competent singers of all time.

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Akhtarun Nahar Ivy


Born in 1943 - Dev Pahar, Chittagong, Bangladesh.Bachelor of Fine Arts; Institute of Fine Arts, Dhaka - 1978, Secured 1st Position, then Masters of Fine Arts (Ceramics); Institute of Fine Arts, Dhaka - 1982.

1 Exhibitions Byram-Shubert Library in Greenwich, CT
July 19th - Aug 31st, 2003

2 Solo Ceramic Art Exhibition, Bangladesh Shilpokola Academy 1995


3 National Art Exhibition and Group Art Exhibition 1982 -1986
Asian Art Exhibition - 1981
4 Annual Exhibitions of Institute of Fine Arts- 1976 -1980
National Science Exhibition - 1977
5 1st Solo Ceramic Art Exhibition 1st ever in the country - 1978

Awards
Shahid Memorial Prize 1976
Department First Prize - 4 consecutive years 1977-1980
Special Prize for Experimental work 1981-1982


Akhtarun Nahar has chosen clay as the medium for her art. Although clay is a very common material, to prepare it as an ingredient for creating art is not a simple task. Clay in its dry form is very subtle. From the prehistoric time mankind has prepared clay by firing it in various ways to use it as an element to create art.

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Nargis Akhter


Using film to get across a message to the public is a common practice of filmmakers and directors. The challenge however, is to make a film that will hold the viewers' attention throughout the film while exposing them to a social message. Nargis Akhter, film maker and director has done the daunting task of combining entertainment with social awareness building.

She has also embarked upon areas few filmmakers would dare to approach and that too with remarkable boldness and honesty.

Founder - director of FEMCOM, an all-women media group, Nasrin Akhter has recently been in the news for her widely acclaimed film on AIDS, "Meghla Akash" which was selected among the best of films (out of 600 entrees) at the International Women's Film Festival in Germany recently. Before this she produced and directed the first telefilm on AIDS in Bangladesh -- 'Ajana Ghatak' starring Ilias Kanchan and Chompa, which contains motivational messages on HIV/AIDS prevention.

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Novera Ahmed


Novera Ahmed, a highly talented, audacious and somewhat enigmatic pioneer sculptor of Bangladesh who is credited with the original design of the Shaheed Minar, a historical memorial monument for the martyrs of the language movement of 1952. In 1957. the work of Shaheed Minar evolved - Novera Ahmed collaborated with Hamidur Rahman in the field of designing the fountain and embellishing the landscape with sculptures and design of plants and foliage.

Both Hamidur Rahman and Novera Ahmed had spent time in Florence and Novera had studied sculpture under Dr. Vogel in London and the famous Italian Venturino Venturi in Florence. She was especially fascinated by the great tradition of fountain sculptures abounding in Italian cities, such as the Fontana Trevi in Rome and Piazza Vecchio in Florence and garden designing as in Bobli Gardens and Villa Borghese. Mughals had practiced fountain art in India, but only in well-laid gardens, as pan of the designs of these gardens. In Europe however, fountains had been a part of the aesthetic layout of cities. When Novera came back to Dhaka, she became the first practitioner of fountain art in Bangladesh.

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Sumita Devi


1936 - 2004
Born in 1939 in Manikganj, Sumita Devi made her acting debut in the late fifties and proved her mettle as a talented heroine in the film Asiya, directed by Fateh Lohani in 1967.
Sumita Devi appeared in about 200 films and 150 radio and television dramas. Her major films include Kokhono Asheni, Sangam (Urdu), Dui Digoto, Tero Nombor Feku Ostagar Lane etc. In 1959 she married eminent film maker Zahir Raihan and acted in many of Zahir’s films.

She was awarded the All Pakistan Critic Award in 1962 and Nigar Prize in 1963. After the independence of Bangladesh she was honoured with the Bangladesh Film Journalists Association Award and the Television Reporters Association of Bangladesh Award. Sumita Devi was also awarded the Agartala Muktijuddho Award (2002) and Janakantha Gunijan and Protiva Sommanona (2002).

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Fazlur Rahman Khan (1929 — 1982)

In step with the abounding vitality of the time, structural engineer Fazlur Rahman Khan (1929 — 1982) ushered in a renaissance in skyscraper construction during the second half of the 20th century. Fazlur Khan was a pragmatic visionary: the series of progressive ideas that he brought forth for efficient high-rise construction in the 1960s and ‘70s were validated in his own work, notably his efficient designs for Chicago’s 100-story John Hancock Center and 110-story Sears Tower (the tallest building in the United States since its completion in 1974).

One of the foremost structural engineers of the 20th century, Fazlur Khan epitomized both structural engineering achievement and creative collaborative effort between architect and engineer. Only when architectural design is grounded in structural realities, he believed — thus celebrating architecture's nature as a constructive art, rooted in the earth — can "the resulting aesthetics … have a transcendental value and quality."

Fazlur Khan was always clear about the purpose of architecture. His characteristic statement to an editor in 1971, having just been selected Construction's Man of the Year by Engineering News-Record, is commemorated in a plaque in Onterie Center (446 E. Ontario, Chicago).

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Sources

Bangladesh Sangbad Sangstha

Bangalee Women

Siddharth Art Gallery

Things Asian

Bangladesh Showbiz

Alochona

Adhunika.org








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